But as you can see in Pic 4, there are additional controls for legato volume, purging, presets, soloing mics, etc. The Mixer view is where you choose and blend your mic positions, as I already displayed in Pic 2.
It is way too deep to go into here and frankly since I am in the beginning stages of learning it, so I will simply link you to the Orchestral Tools tutorials that you will want to watch. It is here that you can take advantage of the unique polyphonic keyswitching feature that allows you to create keyswitches to control blend, morph, or switch articulations. This is where you can control the things you most commonly control and the Multi Slot view. This page will look different from instrument to instrument, and even more so on multi articulations than single articulations. The main page is the Performance view that you see in Pic 3. Capsule in an acronym for Control And Performance. My personal favorites are the choirs, French horns, and trumpets.īut everything in this library is ballsy. This is something synthetic not synthy about them to my ears, but that is very subjective and you may well disagree. The sounds are uniformly excellent and depending on your mic positions choices, you can hear more or less of the Teldex sound, although even with just the close mic, it is pretty wet compared to some others. When you switch mic positions, it has an auto-gain feature that adjusts the levels to previous levels. It includes five mic positions: close, spot, Decca tree, AB distance and surround, loading the close and Decca tree mics by default. There are patches with multiple articulations and lot of single articulations, some of which you see in Pic 1. It includes high and low strings high and low choirs bassoons and contrabassoons trumpets, trombones, cimbassi, tubas and a smaller and a larger section of french horns percussion and piano a guitar ensemble with left and right separate instruments, electric bass, and a drum kit. And yet, I tell you this is a terrific sounding library, as you will hear in the demos on the Orchestral Tools website. I am somewhat notorious for writing many times in forum discussions that. You are about to read a positive review from me about a product that in theory I should not like.
Jay Asher on Jul 10, in Review 0 comments.